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Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolai Evreinov: »The Storming of the Winter Palace«

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prostituee autour de lyon Date of publication: 15.09.2017

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rencontres ressources humaines In 1920, the third anniversary of the October Revolution, The Storming of the Winter Palace was performed with a cast of 10,000. But as a reenactment this mass spectacle, directed by Nikolai Evreinov, was deceptive. It was intended to recall something—the storming of the Winter Palace as the beginning of the revolution—that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical “storming” become a historical document of the October Revolution.

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PhD, curator and artistic director of the Hartware MedienKunstVerein (voeux anniversaire de rencontre) in Dortmund, Germany, since 2005. She has worked internationally as an independent curator, writer, and theorist specializing in media art, net cultures, and Eastern Europe since 1993.
Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolaj Evreinov: »Sturm auf den Winterpalast«
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    In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), rencontre homme dourdan Nikolaj Evreinov: »Sturm auf den Winterpalast«

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    In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), rencontre monsieur loyal habbo Nikolai Evreinov: »The Storming of the Winter Palace«

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is a philosopher and professor at Moscow State University. He is a senior research fellow in the Institute of Philosophy at the Russian Academy of Sciences and editor of the table de rencontre Logos magazine. He is the author of works on modern art and early-Soviet proletarian art, the history of Russian philosophy, theories of power, the theory of machines and mediatheory and on Evreinov.
Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolaj Evreinov: »Sturm auf den Winterpalast«
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prostituée en direct studied Slavic and German Studies in Constance and St. Petersburg (1990–1996). She received her PhD from the University of Constance in 1999 and obtained her habilitation at Freie Universität Berlin. After her teaching and research work at Freie Universität Berlin (1999–2001), the Center for Literary and Cultural Research Berlin (2001–2005) and UC Berkeley (2002–2003) she was Professor for Eastern Slavic Literature at the Humboldt University of Berlin. Since 2009 she has been Full Professor of Slavic Literature at the University of Zurich and co-director of the ZKK (Centre for Arts and Cultural Theory). She is currently working on the interference between literature and law, conceptions of escape and performance art in Eastern Europe.

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